Aaron Asher Books

A young Czech whose mother has molded him into a poet becomes the people's literary hero during a Communist rally in 1948

'This book is a novel in the form of variations. The various parts follow each other like the various stages of a voyage leading into the interior of a theme, the interior of a thought, the interior of a single, unique situation the understanding of which recedes from my sight into the distance. It is a book about laughter and about forgetting, about forgetting and about Prague, about Prague and about the angels.' The Book of Laughter and Forgetting is the most secret of Kundera's novels. This new translation is the first to be fully authorized by Milan Kundera. 'An urgent, stunning book; it teaches us that when we die, what we lose is not the future but the past. I think of Kundera as the great modern descendant of Gogol and Kafka.' Carlos Fuentes

This highly original book imitates the protagonist, Agnès, of Kundera's novel Immortality. Like all readers of fiction, when Agnès steps out of the car, she steps out of the world of planned routes, responsibilities, and social self, and gives herself up to the discovery of a new landscape, an experience that will transform her. François Ricard's beautiful essay enters into the writings of Milan Kundera in much the same way. The landscape he explores in Agnès's Final Afternoon includes a chain of ten novels, composed between 1959 and 1999; he takes us through the themes and characters of the novels, their structural composition, and innovations of form and content that stretch the boundaries of the novel to breaking point.François Ricard is a Professor of French Literature at McGill University. He has been writing about the work of Milan Kundera for fifteen years.