D. Wengrow Book order

"For generations, our remote ancestors have been cast as primitive and childlike--either free and equal innocents, or thuggish and warlike. Civilization, we are told, could be achieved only by sacrificing those original freedoms or by taming our baser instincts. In their major New York Times bestseller, The Dawn of Everything, David Graeber and David Wengrow fundamentally challenge these assumptions and recast our understanding of human history. We will never again see the past in the same way. Drawing on pathbreaking research in archaeology and anthropology, Graeber and Wengrow reveal how history becomes a far more interesting place once we learn to throw off our conceptual blinders and perceive what’s really there. If humans did not spend 95 percent of their evolutionary past in tiny bands of hunter-gatherers, what were they doing during all that time? If agriculture and cities did not mean a plunge into hierarchy and domination, then what kinds of social and economic organizations did they lead to? The answers are often unexpected, and suggest that the course of human history may be less set in stone, and more open to playful, hopeful possibilities, than we tend to assume. Destined to be a classic, The Dawn of Everything signals a paradigm shift, profoundly transforming our picture of the human past and making space to imagine new forms of freedom, new ways of organizing society. This is a monumental book of formidable intellectual and political range, animated by curiosity, moral vision, and a faith in the power of direct action." -- Back cover

NATIONAL BESTSELLER NEW YORK TIMES BESTSELLER Renowned activist and public intellectual David Graeber teams up with professor of comparative archaeology David Wengrow to deliver a trailblazing account of human history, challenging our most fundamental assumptions about social evolution--from the development of agriculture and cities to the emergence of "the state," political violence, and social inequality--and revealing new possibilities for human emancipation. For generations, our remote ancestors have been cast as primitive and childlike--either free and equal innocents, or thuggish and warlike. Civilization, we are told, could only be achieved by sacrificing those original freedoms, or alternatively, by taming our baser instincts. Graeber and Wengrow show how such theories first emerged in the eighteenth century as a conservative reaction to powerful critiques of European society posed by Indigenous observers and intellectuals. Revisiting this encounter has startling implications for how we make sense of human history today, including the origins of farming, property, cities, democracy, slavery, and civilization itself. Drawing on path-breaking research in archaeology and anthropology, the authors show how history becomes a far more interesting place once we learn to throw off our conceptual shackles and perceive what's really there. If humans did not spend 95% of their evolutionary past in tiny bands of hunter-gatherers, what were they doing all that time? If agriculture, and cities, did not mean a plunge into hierarchy and domination, then what kinds of social and economic organization did they lead to? What was really happening during the periods that we usually describe as the emergence of "the state"? The answers are often unexpected, and suggest that the course of human history may be less set in stone, and more full of playful, hopeful possibilities, than we tend to assume. The Dawn of Everything fundamentally transforms our understanding of the human past and offers a path toward imagining new forms of freedom, new ways of organizing society. This is a monumental book of formidable intellectual range, animated by curiosity, moral vision, and a faith in the power of direct action.

For any student studying the question of what civilisation actually is this is valuable reading. John Bulwer, Euroclassica

Exploring the emergence of composite creatures in ancient art, the book argues that "monsters" became prevalent only with the rise of urban societies and trade networks, rather than being a universal aspect of human imagery. David Wengrow traces the origins and transmission of these fantastic figures, revealing patterns in human creativity and the interplay between culture and perception. Through this lens, the work challenges conventional views on the significance of monsters in historical visual production.