David B. Stewart Book order (chronological)

One of Japan's leading architects explores the concept of Japan-ness through significant events in Japanese architectural history from the seventh to the twentieth century, offering essays that contextualize buildings within their cultural milieu. Arata Isozaki perceives buildings as dynamic entities that embody social and historical narratives, urging us to interpret them continually rather than view them as static objects. He identifies essential Japanese characteristics in architecture, starting with modern architects' struggles to forge a uniquely Japanese identity amidst modernity. Isozaki reflects on historical examples such as the Ise shrine, the Todai-ji Temple, and the Katsura Imperial Villa, illustrating how these structures embody Japan-ness. He contrasts the Ise shrine's ritual relocation with Western notions of permanence, suggesting that such rituals counter modernity's search for origins. The Todai-ji Temple's reconstruction, guided by the monk Chogen, captures the era's revolutionary spirit, while the Katsura Imperial Villa reinterprets traditional styles to create its unique identity. Isozaki critiques the common perception of Japanese aesthetics, arguing that what is often seen as Japan-ness is a stylized simplification that lacks the vibrancy of cultural evolution. Through a blend of historical analysis, theoretical insights, and personal reflections, these essays affirm Isozaki's prominence as a leading arc

This work features 20 of Arata Isozaki's projects, including the new designs for Toyonokuni Libraries for Cultural Resources and the Kyoto Concert Hall. Each building is illustrated with colour photographs, drawings and plans, and is analyzed in text by Isozaki himself.