Parameters
- 280 pages
- 10 hours of reading
More about the book
Once languages become written, they change. Only in writing does language develop the artfulness and richness that we associate with a Shakespeare, a Proust or a Whitman. Yet over the last forty years, the English-language has effectively gone into reverse - taking our lead from America and the legacy of the 19060s, our culture increasingly privileges the oral over the written, spurning the art of elaborated, 'written'-style language in favour of returning to the state of a spoken culture. Parallel developments have occurred in music. In this controversial and thought-provoking book, Jon McWhorter argues that the 1960's rejection of cultural traits associated with the Establishment, as well as a democratic celebration of what anyone can do over what requires training or talent, has led to our culture being increasingly impoverished, both intellectually and artistically, a culture that hates itself.
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Doing Our Own Thing, John McWhorter
- Language
- Released
- 2004
- product-detail.submit-box.info.binding
- (Hardcover)
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- Title
- Doing Our Own Thing
- Language
- English
- Authors
- John McWhorter
- Publisher
- Heinemann Young Books
- Released
- 2004
- Format
- Hardcover
- Pages
- 280
- ISBN10
- 0434010588
- ISBN13
- 9780434010585
- Series
- Tags
- Non-Fiction, Social Sciences, Art & Culture, Historical Themes, True Stories, History, Music Theme, Music, Opinion Journalism & Essays, Culture and Society, Languages, Linguistics
- Rating
- 3.6 out of 5
- Description
- Once languages become written, they change. Only in writing does language develop the artfulness and richness that we associate with a Shakespeare, a Proust or a Whitman. Yet over the last forty years, the English-language has effectively gone into reverse - taking our lead from America and the legacy of the 19060s, our culture increasingly privileges the oral over the written, spurning the art of elaborated, 'written'-style language in favour of returning to the state of a spoken culture. Parallel developments have occurred in music. In this controversial and thought-provoking book, Jon McWhorter argues that the 1960's rejection of cultural traits associated with the Establishment, as well as a democratic celebration of what anyone can do over what requires training or talent, has led to our culture being increasingly impoverished, both intellectually and artistically, a culture that hates itself.


