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The Materials of Sculpture

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  • 328 pages
  • 12 hours of reading

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This beautiful book surveys the sculpture of various civilizations, from ancient Egypt, Greece, and China to fifteenth-century Italy, nineteenth-century France, and twentieth-century North America. It introduces the materials used by sculptors, exploring their significance and techniques across different periods and cultures. Beginning with the hardest stones worked with abrasives, it discusses marble, softer stones, and organic materials like wood and ivory. The book also covers plastic materials such as clay, stucco, gesso, and wax, examining both molded and modeled forms, as well as the casting and tooling of metal. Each chapter highlights the specific limitations and challenges of each material, addressing aspects like availability, value, durability, versatility, size, and color. The author considers how artists have transferred techniques between mediums and sought to replicate effects associated with different materials, questioning the traditional notion of the relationship between truth and material in sculptural education. Rich in facts from rare publications and incorporating recent research, the book combines valuable information with thought-provoking insights, making it a welcome resource for sculpture enthusiasts and an essential guide for students.

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The Materials of Sculpture, Nicholas Penny

Language
Released
1993
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Title
The Materials of Sculpture
Language
English
Released
1993
Format
Paperback
Pages
328
ISBN10
0300065817
ISBN13
9780300065817
Series
Description
This beautiful book surveys the sculpture of various civilizations, from ancient Egypt, Greece, and China to fifteenth-century Italy, nineteenth-century France, and twentieth-century North America. It introduces the materials used by sculptors, exploring their significance and techniques across different periods and cultures. Beginning with the hardest stones worked with abrasives, it discusses marble, softer stones, and organic materials like wood and ivory. The book also covers plastic materials such as clay, stucco, gesso, and wax, examining both molded and modeled forms, as well as the casting and tooling of metal. Each chapter highlights the specific limitations and challenges of each material, addressing aspects like availability, value, durability, versatility, size, and color. The author considers how artists have transferred techniques between mediums and sought to replicate effects associated with different materials, questioning the traditional notion of the relationship between truth and material in sculptural education. Rich in facts from rare publications and incorporating recent research, the book combines valuable information with thought-provoking insights, making it a welcome resource for sculpture enthusiasts and an essential guide for students.