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Exploring themes of literary criticism and societal commentary, this novella serves as an elaborate parody of Sherwood Anderson and the Chicago School of Literature. Hemingway presents a sharp critique of contemporary writers, eliciting mixed reactions from his peers, with some deeming it a masterpiece while others dismissed it. The work's subtitle references eugenics, hinting at broader societal issues. Divided into four parts, it delves into the struggles of life, war, and societal decay, alongside Hemingway's final note to readers.
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