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Set against the backdrop of 1920s literature, this work serves as a sharp parody of the Chicago literary scene, particularly targeting the style of Sherwood Anderson. It humorously critiques the trends of notable authors like D. H. Lawrence, James Joyce, and John Dos Passos, showcasing a playful yet critical examination of their influences. Through its burlesque tone, it captures the literary climate of the time while reflecting Hemingway's own rejection of these prevailing styles.
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